Essay by Lynne Cooke
Exhibition Images
Press Release
Checklist of Works
Selected Bibliography
Biography
Funding

Atlas is an ongoing, encyclopedic work composed of approximately 4,000 photographs, reproductions or cut-out details of photographs and illustrations, grouped together on approximately 600 separate panels. The images closely parallel, year by year, the subjects of Richter's paintings, revealing the orderly but open-ended analysis central to his art.


Checklist of Works

Atlas, c. 1964-1995
583 panels, each panel 26 ¼ x 20 ¼ or 20 ¼ x 14 ¼
Collection Dürckheim, Germany


Selected Bibliography

Gerhard Richter. London: Tate Gallery, 1991. Texts by Neal Ascherson, Stefan Germer, and Sean Rainbird.

Gerhard Richter. 3 vols. Bonn: Kunst- und Austellungshalle der Bundesrepublik Deutschland, 1993. Texts by Benjamin H.D. Buchloh, Peter Gidal, and Birgit Pelzer.

Gerhard Richter: Atlas. Munich: St„dtische Galerie in Lenbachhaus and Museum Ludwig, Cologne, 1990. Text by Armin Zweite.

Parkett 35 (1993). "Gerhard Richter Collaboration." Texts by Jean-Pierre Criqui, Peter Gidal, Dave Hickey, Gertrude Koch, Birgit Pelzer.

Dietrich, Dorothea. "Gerhard Richter: An Interview," The Print Collector's Newsletter 16, no. 4 (Sept./Oct. 1985), pp. 128-32.

"Gerhard Richter/Jan Thorn-Prikker: Ruminations on the October 18, 1977 Cycle," Parkett 19 (1989), pp. 143-53.


Biography

Gerhard Richter was born in Dresden in 1932. He studied at the Kunstakademie in Dresden between 1951 and 1956 before moving to Düsseldorf in 1961. Over the next two years he completed his studies at the Düsseldorf Kunstakademie, where he has been Professor since 1971. In addition to participating widely in group shows, Richter has had numerous one-person exhibitions. In 1993-94, the fourth major retrospective of his work to date traveled throughout Europe.


Funding

Major funding for this exhibition has been provided by the Lannan Foundation, with additional generous support from: Lufthansa German Airlines; Doris and Don Fisher; Mimi and Peter Haas; Linda and Harry Macklowe; Ann Tenenbaum and Thomas H. Lee; and the members of the Dia Art Council and Art Circle.

Thanks to Rainald Schumacher for his assistance on the project.




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